catcafe

Brief summary if you're interested in reading:

Apollo Kagwa is just beginning to settle into his new life as a committed and involved father, unlike his own father who abandoned him, when his wife Emma begins acting strange. Disconnected and uninterested in their new baby boy, Emma at first seems to be exhibiting signs of post-partum depression, but it becomes clear that her troubles go beyond that. Before Apollo can do anything to help, Emma commits a horrific act—beyond any parent's comprehension—and vanishes, seemingly into thin air. Thus begins Apollo's journey through an enchanted world to find his wife.

Score: ⚫⚫⚫⚪⚪

Not what I expected but interesting enough (barely) to read through just out of curiosity for what happens next.

Summary if you're not interested in reading below:

I love thrillers and fantasy. But I did not sign up for 448 pages of parenting horror. I went through the entire book wondering when the fairies showed up AND THERE WERE NO FAIRIES.

Themes:

The theme was don't share your child's pictures on the internet or child predators (fantasy edition) will get them. This isn’t a joke. The bad guy starts kidnapping children so he can livestream them interacting and then getting eaten by a troll (there’s a line about SUBSCRIBER TIERS in the book).

The actual themes are that parenthood is difficult but a gift, love for your family conquers all, and generational trauma can be broken. And don’t share your child's pictures on the internet or child predators will get them. But the ending technology stuff is incredibly overwhelming compared to the emotional resolution for both Emma and Apollo.

A lot of technology shows up throughout the book halfway through – Patrice being a tech guru, William being a programmer, BOTH OF THEM WRITING SHITTY APPS?? Patrice wrote Daylight, an app that DRAINS IPAD BATTERY IN 4 MINUTES because SCREEN BRIGHTNESS. The other guy wrote an app that’s ‘airbnb for boats’ (how it’s actually described by him in the book). There’s a paragraph about Patrice’s big powerful machine with an Intel i7 blah blah blah- and there’s a ‘tell it to me in English’ scene too. I hate it here. The abrupt switch from ‘living normal life’ to ‘TECHNOLOGY IS HERE NOW’ wasn’t eased by any mention of tech advancements to clue the reader in.

Another issue I had was all the women either live off the grid or aren’t involved at all with technology. Why wasn’t Emma concerned at all with Apollo posting every detail of their son on Facebook? Why wasn’t there also at least an argument between the two about blaming him for posting so much when those stalking photos showed up? Pacing:

The first third of the book is about the life of Apollo, his grandfather’s and grandmother’s life, then his and his wife’s. It was kind of dull because it really, really wants to drill into you Apollo's daddy issues and his father's issues. The next 2 thirds meander through the big issue of Apollo struggling being a new parent and dealing with his wife's postpartum depression, except this time she's right to kill the child. There's a lot of ‘this was established, but that was wrong actually’ to switch up the story, but it's all people telling Apollo rather than him figuring out anything on his own. The same is true for the plot itself, with people sending him messages to tell him where to go.

And there's barely any magic. On the magic island he gets beat up with clubs.

In the last fourth of the book we really get into confrontation. The villain's father gives a monologue on why they do evil things in a noble attempt to give his son time to escape, and his son ignores his father's dead body to go back to the computer and spy on people through their laptops. He also calls the father of the family he's spying on a ‘beta cuck’.

Writing Style:

The descriptions and overall writing style is fine.

It’s annoying how the book keeps pulling out of the action of the scenes by referring to ‘us’. ‘Our solar system’, ‘your imagination’, small things like that peppered throughout the book that feel incredibly out of place while we’re still in the mind of the characters. It really does feel like the author is ‘telling’ you a story, in the way that a grandfather might tell a story to his fidgety young grandson by referring to him directly so he’d be more invested.

It happened again. I'm going to lose it. (Author’s note: I got used to this later, but it doesn't change my opinion that it sucks as a part of the writing ‘style’.)

The repetition of the main character’s reassurance to himself: “I am the god Apollo” is a really nice touch. It's repeated throughout the story at crucial moments, and anchors the character. This also has the very funny payoff (other than making you pay attention to his name) where you can clap at the end when you realise he kills the troll with sunlight. (Author’s note: Apollo is god of the sun)

Final Thoughts:

It's a solid book but not the book for me. I'm not a parent and I think technology is good actually and I already know that posting your child on the internet is stupid. I wish the characters were written better so more of them could feel alive rather than simple fixtures of Apollo's life. The brief moments with Cal from the magic island are so fun because she's allowed to be a person, not just a character in his orbit. Even though we read about Apollo's mom's life, we never see who she is afterwards outside of her being a hardworking immigrant mother to him. Emma's friends are completely written out of Apollo's life once Emma exits from his. Patrice suddenly becomes a tech guru halfway through the book because the story needs one to fight the super tech savvy guy (they reveal the bad guy as an internet troll too and it turns out the thing the children are being fed to is A MYTHICAL TROLL. WOW! Revolutionary for young boomers/old millenials who embody ‘old man yells at cloud’).

Really interesting themes of generational trauma and parenthood that get absolutely overwhelmed by ‘don’t spam post your child on the internet or the predators will kidnap them’ conclusion.